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Antique Royal Vienna Porcelain Hand Painted Charger

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Antique Royal Vienna Porcelain Hand Painted Charger
Item Details
Description
ANTIQUE ROYAL VIENNA HAND PAINTED CHARGER
Late 19th Century, underglaze blue beehive mark and impressed numbers
A finely decorated porcelain charger hand painted with a scene of cupids, titled Amor's Ruhe after Bouguereau.
Signed at the lower right, within a gold encrusted border .
Bouguereau, William-Adolphe (French, 1825-1905) - one of the best academic painter, exhibited in the annual Paris Salons
for more than 50 years. His paintings of religious, mythological, and genre subjects were carefully composed and painstakingly
finished. Thus he opposed the admission of works by the impressionists to the Salon, because he believed that their paintings
were no more than unfinished sketches. After a period of neglect following his death, Bouguereau's paintings were returned to
view as part of a renewed interest in and reappraisal of academic painting and of Ecole des Beaux-Arts works in general. His
painting were widely reproduced on porcelain plaques.
Diameter: 14" diameter
Condition Report: Excellent, minor scratches to the right, not affecting scene.
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Antique Royal Vienna Porcelain Hand Painted Charger

Estimate $1,000 - $1,500
Dec 14, 2019
See Sold Price
Starting Price $100
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Ships from Brooklyn, NY, United States
Antiqi

Antiqi

Brooklyn, NY, United States
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0081: Antique Royal Vienna Porcelain Hand Painted Charger

Lot Passed
6 Bids
Est. $1,000 - $1,500Starting Price $100
Antiqi Winter Dream Auction
Dec 14, 2019 1:00 PM EST
Buyer's Premium 0%

Lot 0081 Details

Description
...
ANTIQUE ROYAL VIENNA HAND PAINTED CHARGER
Late 19th Century, underglaze blue beehive mark and impressed numbers
A finely decorated porcelain charger hand painted with a scene of cupids, titled Amor's Ruhe after Bouguereau.
Signed at the lower right, within a gold encrusted border .
Bouguereau, William-Adolphe (French, 1825-1905) - one of the best academic painter, exhibited in the annual Paris Salons
for more than 50 years. His paintings of religious, mythological, and genre subjects were carefully composed and painstakingly
finished. Thus he opposed the admission of works by the impressionists to the Salon, because he believed that their paintings
were no more than unfinished sketches. After a period of neglect following his death, Bouguereau's paintings were returned to
view as part of a renewed interest in and reappraisal of academic painting and of Ecole des Beaux-Arts works in general. His
painting were widely reproduced on porcelain plaques.
Diameter: 14" diameter
Condition Report: Excellent, minor scratches to the right, not affecting scene.

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